Aside from being a brutally honest, funny, gutsy book, for me personally, Code Name Verity does something else: it highlights some of the many, many ways in which YA fiction can, at times, beat adult fiction out of the water without so much as strapping on a life jacket.
Code Name Verity is historical YA. It's the story of two unlikely best friends, set in Nazi-occupied France, and is told from the point of view of a young Resistance agent who has been taken captive by the Gestapo.
The main character, who refers to herself in her writings as 'Queenie', is ballsy, reckless even. But she also hurts. She is heart broken at everything she has lost, and heart broken at having had it all in the first place. She's terrified, and not because she's been tortured and lives in fear of death or worse, but because she doesn't know what's around the corner. She's in the dark (often quite literally), her future on the line, because she has taken a huge gamble: she has agreed to tell everything she knows about the British war effort in exchange for time, because knowledge is the only thing she has left to bargain with, and time is the only thing the Gestapo are willing to give. Queenie is strong, but she doesn't always know what to do with her strength, or how to deal with the aftermath of using it. She makes mistakes, and isn't able to correct for them.
But teenage readers, of course, need other things too - exactly the same things that any other reader looks for. Complexity, depth, something to challenge and provoke. When reading a book about lives during WWII, particularly the lives of younger people, there are expected hardships. Resources were scarce, lives were lived in fear, death and torture were prevalent, and human nature was tested and stretched as far as it can go. A good novel explores these things.
As a teenager, it's very easy to judge the world around you, hate it even. Having the ability, patience and willingness to see through to the other side of the mirror is an incredible thing, and what fantastic books do is show that that ability is worth fighting for with everything you have, even if what you have is very little. I think the true importance of YA books like Code Name Verity is that they show the possibility for humanity and worth of self, no matter who you are, no matter how old you are.
So does YA fiction have a purpose? You bet your teenage years it does.
And yet the one thing a YA must absolutely do, is connect with teenagers now. It must be about something, or someone, that young people can relate to. Code Name Verity manages exactly that, with room to spare - for all of the historical correctness present here, there is something remarkably modern about it.
The main character, who refers to herself in her writings as 'Queenie', is ballsy, reckless even. But she also hurts. She is heart broken at everything she has lost, and heart broken at having had it all in the first place. She's terrified, and not because she's been tortured and lives in fear of death or worse, but because she doesn't know what's around the corner. She's in the dark (often quite literally), her future on the line, because she has taken a huge gamble: she has agreed to tell everything she knows about the British war effort in exchange for time, because knowledge is the only thing she has left to bargain with, and time is the only thing the Gestapo are willing to give. Queenie is strong, but she doesn't always know what to do with her strength, or how to deal with the aftermath of using it. She makes mistakes, and isn't able to correct for them.
Those feelings - of helplessness, of being forced to bargain when you have very little to offer, and the certainty that your life belongs, at least for the moment, in other people's hands - are very familiar ones. They are virtually the hallmarks of being a teenager.
But teenage readers, of course, need other things too - exactly the same things that any other reader looks for. Complexity, depth, something to challenge and provoke. When reading a book about lives during WWII, particularly the lives of younger people, there are expected hardships. Resources were scarce, lives were lived in fear, death and torture were prevalent, and human nature was tested and stretched as far as it can go. A good novel explores these things.
A great novel, however, holds up a mirror, and tries to show what's on both sides. The intricacies, the subtleties, the waxing and waning of possibility.
Through both Queenie's and her best friend Maddie's voices, this is precisely what Wein does. She shows the other side of the mirror, however cracked it might be. Through Queenie, Wein forces us, from the corners of our eyes, to look at the Gestapo interrogators, to see their pasts, their futures, their own hardships and deepest wishes. We are forced to face the full spectrum of humanity each person holds within them, and the way in which circumstances can so easily define who we are.
As a teenager, it's very easy to judge the world around you, hate it even. Having the ability, patience and willingness to see through to the other side of the mirror is an incredible thing, and what fantastic books do is show that that ability is worth fighting for with everything you have, even if what you have is very little. I think the true importance of YA books like Code Name Verity is that they show the possibility for humanity and worth of self, no matter who you are, no matter how old you are.
So does YA fiction have a purpose? You bet your teenage years it does.
Great post. Rees' point about YA novels absolutely having to connect with kids today is good. Do you think there's anything different with MG books? It's interesting that 'YA' as a separate genre seems to be a more recent trend, though teenagers, of course, have always existed! Maybe it's just the recognition of it that's new? Previous generations have always found something to read. I'd say we're in a real golden age of books right now, with so much specifically written with YA in mind.
ReplyDeleteYeah, that's a good point. It's only in the last 20 years or so that YA has been promoted and published as something that has a distinct target audience - that's the only reason it seems so prevalent now, I guess. I think we're in a golden age, too, but specifically targeting teenagers can (and has) lead to some pretty sloppy, condescending books - the point is that fiction for teenagers doesn't need to be that much different from anything else!
DeleteGood books do what you describe regardless of what readership somebody says they're for.
ReplyDeleteGood post in this debate, Jo.
Great minds and all that Jo! Have been mulling over Celia's post for the last week or so too! Code Name Verity sounds amazing and has now moved to the top of my TBR pile
ReplyDeleteGreat post, and agree entirely. Ask people what their favourite books and authors of all time are, and very rarely do YA books come up. There seems to be an assumption that the quality and standard in YA fiction is lower than 'adult' fiction.
ReplyDeleteThis post reminds us all that this isn't always necessarily the case. If anything, writing for teenagers can be MORE difficult than for adults!
Terrific post, Jo, and as for Code Name Verity - wow, what a book! "YA" is a huge tent these days, and I like your thoughts on what we have in common, at least at best.
ReplyDeleteThose feelings - of helplessness, of being forced to bargain when you have very little to offer, and the certainty that your life belongs, at least for the moment, in other people's hands - are very familiar ones. They are virtually the hallmarks of being a teenager.
I think those feelings hit most of us at other points in our lives, too. But there's an intensity to those feelings in our teen years that's just searing. Later on, you have a bit more armor and a bit more perspective (usually!), but it's all very raw when you're a teen. Or at least it was for me.
I love this post. It highlights why Code Name Verity makes great reading for teens. I puzzle, though, as to why this book hasn't been cross-marketed to adults. (Or maybe it has and I'm just not seeing it.) The girls in the story aren't likely teenagers (I'm pretty sure their exact ages were never mentioned but might be recalling incorrectly); more likely they were in their early twenties, so adults who don't like reading stories about teens could still read and enjoy this book.
ReplyDeleteI'm certainly recommending it to teens and adults alike.